The way I think about using 3DGS in my photography work is a tool which helps me reconsider the control and precision of image-making in this digitally-saturated world today. I want to experiment with how far I can push photo-manipulation until it is no longer photography, or even an image anymore. My workflow with scanning the models, sculpting the assets, digitally relighting the scene, and then picking the angle I like for capture is one most akin to theater for me. This is an ongoing project where I will continue experimenting with gaussian splatting technology and seeing the things I can do and make with it.